Filtering by Tag: movies watched

Movies Watched -- Get Out Your Handkerchiefs (1977)

Added on by C. Maoxian.

In French. 109 minute running time. This movie inexplicably won the Oscar in 1978 for best foreign film. It’s true that Carole Laure’s tits deserve an Oscar, but I’m not sure about the movie.

I like Bertrand Blier’s work, and really enjoyed his 1974 movie, Going Places. He makes weird movies for sure, but fun, lots of silly business. Gerard Depardieu’s nose was still fairly normal in 1977, and Patrick Dewaere’s chest hair is marvelous … I don’t know what I can say for Solange’s 13-year-old lover.

This was a John Farr reco and gets a yellow rating from me.

Not a kidnapping

Movies Watched -- Autumn Sonata (1978)

Added on by C. Maoxian.

In Swedish. 92 minute running time. Ingmar Bergman again, another stage play put on film, two people talking once again, this time a mother (Ingrid Bergman) and a daughter (Liv Ullman).

Now that I’m in my fifties I can watch and enjoy Bergman movies… I don’t think I would have liked this when I was in my twenties. Two people talking for 90 minutes, painful memories and words, some real viciousness (just like in Scenes from a Marriage). Bergman may be like: you’ve seen one, you’ve seen ‘em all, but I do enjoy them.

Jane Schoenbrun, a transvestite(??), is the only visitor to the Criterion closet who picked out this movie.

Mommie Dearest x 1000

Movies Watched -- Drylongso (1998)

Added on by C. Maoxian.

81 minute running time. This was like a homemade movie, and there’s no real story here, it’s sort of a hodgepodge of ideas, but I did watch all of it and was glad I did because I’ve never seen anything like it. It’s a black culture movie, sort of… it stars a beautiful dark-skinned black girl, who has a lot of spunk, and also a light-skinned black girl, who likes to dress up as a boy.

I’ve been working my way through the list of Criterion Closet Picks that have only been chosen once. Zeinabu Irene Davis was the sole person to recommend this movie, and I’m glad she did. It gets a yellow (consider it) rating from me (not green-go, not red-stop).

S’up little sistah

Movies Watched -- Branded to Kill (1967)

Added on by C. Maoxian.

In Japanese. 91 minute running time. This was hilarious and wonderfully weird. Seijun Suzuki was making fun of the typical yakuza movie and movie conventions in general. I enjoyed it, but it doesn’t get the vaunted green-go, must-see recommendation.

I discovered this movie by reviewing the LEAST picked movies among the Closet Picks in the Criterion Closet. Only Yorgos Lanthimos, who makes wonderfully weird movies himself, recommended it.

Who is No. 1?

Movies Watched -- Scenes from a Marriage (1973)

Added on by C. Maoxian.

In Swedish. There are different cuts of this movie, and I watched the three hour version. I generally have a strict 100 minute rule with movies, but this one was special and gets a pass. I loved this movie, but didn’t watch it in one go … I watched an hour a night for three nights, more or less.

It’s a stage play, not really a movie, just two people talking (mainly). It’s funny, it’s sad, it’s insightful, it’s maddening. Maybe it’s only enjoyable for people who have been married twenty years? Anyway, it’s a green-go recommended movie. Of course John Farr recommended it too (“long and demanding, but richly rewarding”) and said it is “peak Bergman.”

Four visitors to the Criterion Closet picked it out; you can see who they are here.

Liv Ullman was both beautiful and a great actress.

“Yes, she has lovely breasts.”

Movies Watched -- A Face in the Crowd (1957)

Added on by C. Maoxian.

125 minute running time so a bit on the long side, but this was an interesting movie I’d never heard about before four people picked it in their Criterion closet picks videos. (Look at the master list to see who those four people are.) I should add that the reliable John Farr also recommended it too.

Budd Schulberg and Elia Kazan “cooperated” with the House Un-American Activities Committee (HUAC) in the early 1950s and probably felt pretty awful about it, so they made a political movie like this one to make amends maybe? It’s about the rise of a “demagogue in denim” and how TV’s invention has shaped American politics.

This movie reminded me of Nightmare Alley (1947) in a way (another movie I love and recommend) … sort of stripping away and laying bare the mythology of America. Andy Griffith’s breakout role and young Walter Matthau also appears. This is a green-go recommended movie.

… outcasts, hobos, nobodies, gentlemen loafers... one time or all time losers, call us what you want to...

Movies Watched -- Me and You and Everyone We Know (2005)

Added on by C. Maoxian.

91 minute running time … rated R for “disturbing sexual content involving children” which made me go hmmm? The is a W.D. By movie … the young woman who made it, named Miranda July (not sure if that’s a real name … no, her real name is Grossinger, so her dad is Jewish), also stars in it. John Hawkes is in it, he looks like David Thewlis and plays the father of two beautiful mulatto boys.

This is a weird movie, unconventional … Miranda July is goofy and pretty and has shockingly blue eyes … the movie is funny and quirky and different, but not good enough to recommend. July is interested in sexuality, especially teenage sexuality, and human relationships in general.

I did watch it from start to finish, which means that it’s not terrible.

Movies Watched -- Past Lives (2023)

Added on by C. Maoxian.

106 minute running time … this is a W.D. By movie, written and directed by Celine Song … not sure how autobiographical it is … girl leaves Korea for Canada at age 12, moves to New York at age 22 or 24, final age in movie is 32 or 34? She’s attractive, she’s smart. Her English name is Nora. She had a childhood sweetheart in Korea that she later briefly connects with at age 22? via a number of Zoom calls (very romantic). Finally he comes to visit her in New York when she is in her early 30s and married. The movie jumps back and forth among these 12 year periods. A story of lost love or what could have been, I guess.

Lots of musical cues in this movie, lots of piano and heartstring stuff. Nora went to an artists’ colony in Montauk at age 22 or 24 where they left the doors open and there were nicely arranged flowers and other still life tableaux mysteriously scattered about. In one scene you see the various artists in attendance which include one gay black man, one lesbian, two bearded guys, and Nora (the token Asian woman). At this equal opportunity artists' colony she met a short, nerdy Jewish guy named Arthur and "seduced” him. She really had to encourage him to make a move because he’s a real nebbish. He also plays video games at age 33 so you know he’s a total loser, despite writing a best seller which is inexplicably titled “Boner.” (Some kind of inside joke?)

[Insert some Manhattan skyline and Brooklyn Bridge and Statue of Liberty shots, all of which are required to qualify for movie industry tax credits. The streets are clean and the subway is well lit and sparkling and not filled with crazy homeless people.]

The Korean boy has grown into a strong handsome young man, very sweet and sensitive … when he visits her in New York, Nora and her husband have dinner with him and her little dork of a husband decides to wear a brown Mr. Rogers button-up cardigan over a cowboy shirt to the meal. Nora and the muscular Korean man in fashionably tight shirt have a nice heart-to-heart talk and Nora wonders to herself, what the hell am I doing milquetoasty Arthur whom I haven’t looked at even once tonight?!? She doesn’t say this, but we know she’s thinking it. The Korean guy is more blunt: he asks her to imagine if she had stayed in Korea and they had a mess of pure little Korean children together.

Later she sees the Korean guy off to his Uber to the airport and gives him the chance to sweep her off her feet and bundle her back to Korea (which she really wants), but he wimps out and blows it, so she goes back to Arthur in his brown cardigan and their crummy East Village apartment that costs $4,300 a month and weeps. The End.

Sweep her off her feet, dummy!

Movies Watched -- Diamonds of the Night (1964)

Added on by C. Maoxian.

In Czech and German … 67 minute running … a Holocaust movie so not something you should voluntarily watch… very promising beginning, I’m sure the guy who made Son of Saul (which is great) was inspired by it … but this movie, despite its short length, could have been tightened up considerably … the flashbacks and fantasies became repetitive, the scene with the ridiculous old German men, with their beer steins and sausages, holding them hostage could have been shortened a great deal… in short, the director needed a firm editor but didn’t have one … still, this is not a bad movie, it could have been a very good movie, and possibly a great movie, if I had edited it. It’s worth seeing, no matter what.

Essay by Michael Atkinson (that I haven’t read yet) … OK, I read it, it’s good.

Movies Watched -- The Laughing Policeman (1973)

Added on by C. Maoxian.

109 minute running time but feels longer … some dummy on YouTube said this was an “unknown classic” from the 1970s so I watched it, but I can tell you why it’s unknown: it’s terrible. The story is no good, makes no sense, is disjointed, it’s just garbage, like a bad TV show … Walter Matthau just chews gum the entire movie like he’s a cow chewing its cud. (I loved Walter Matthau in The Taking of Pelham 1-2-3 (1974), which is a good movie.)

Bruce Dern adds some needed energy, but the story is so bad it doesn’t make a difference. Scenes from San Francisco gay bars were interesting … Bruce Dern tells a transvestite, “save my seat, fellow,” which was worth a laugh. America was dead-near rock bottom in 1973 and you can see it in this movie.

Here’s a nutter website that links to all the movie locations in San Francisco.

(When I was young, I read all the Per Wahlöö and Maj Sjöwall books and enjoyed them… they’re good.)

Being a fruit is no crime these days.